Categories
Grave

Why Are We (Still) In Vietnam?

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“Daddy, what’s Vietnam?” A question a child might ask, but not a childish question.
I read the news today, oh boy, and it made me feel like I’d fallen through a wrinkle in time and wound up in 1972. Suddenly, it’s like the last 30 years hadn’t happened and the battle between the hippies and the pigs never ended.
Is this just another example of Baby Boomer self-absorption, or is there something more behind all this talk of who was and wasn’t “in the shit” and the dubious influence of “Hanoi Jane” Fonda? Whatever it is, it’s captured the hearts and minds of the Gratingest Generation more than the other issues we face in the Presidential election, namely national security, the crushing budget deficit, lack of jobs, AIDS, education, millions of Americans still living below the poverty line, guns, the evironment, corporate malfeasance, and… oh, a million other issues.
But everywhere you turn it’s Vietnam. There hasn’t been an orgy of Boomer self-love this bad since… well, since last week when everyone celebrated the fortieth anniversary of The Beatles appearing on Ed Sullivan.
Remember when this election was about us? The Deanie Babies? The inheritors of that aforementioned deficit? The kids working overtime in that MoveOn.org commercial? Forget it, man. It’s all about campus turf wars from before we were born. Just look at this nugget buried in Jane Mayer’s article on Haliburton, Contract Sport, in this week’s New Yorker:

Around this time, in 1968, Dick Cheney arrived in Washington. He was a political-science graduate student who had won a congressional fellowship with Bill Steiger, a Republican from his home state of Wyoming. One of Cheney’s first assignments was to visit college campuses where antiwar protests were disrupting classes, and quietly assess the scene.

That disruption continues, but on the op-ed pages of papers from coast-to-coast.
Like Eminem, ecstasy, and Outkast, this election has been co-opted by our moms and dads and it’s time for us to say, “Don’t bogart it!”
Yes, Vietnam matters: one man’s service followed by principled opposition means something and so does another man’s avoidance of battle and subsequent insistance on sending thousands of others off to fight 30 years later. But these are not the main issues at hand here, and if we don’t move on, we’re going to get stuck in a quagmire, the likes of which we haven’t seen since, well, Vietnam. Isn’t it time the fighting stopped?

Categories
Shallow

Painted from Mammaries

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Well-Rounded: Potrait of the Artist as a Tit Man
Tomorrow’s Valentine’s Day. (What, you forgot? You must be that insensitive clod dating Bridget Harrison. There’s always Duane Reade…)
Anyway, if you’re a straight fella living in New York and you find yourself in that awkward first few weeks of a relationship and you’re concerned about the significance of this Halmarkiest of holidays you’ve got some options. Here’s one you probably hadn’t considered: check out the John Currin exhibition at the Whitney, which is in its last two weeks. (The museum’s open from 11-6 on Saturdays.)
If you’re dating one of those high strung liberal arts college types, she’ll have a ball with Currin’s voluptuous grotesques (or are they grotesque voluptuaries? I never can tell): she’ll also have fun seeing all the other women in the gallery slumping forward slightly, de-emphasizing their busts and shrinking from the male gaze. (If she’s gettin’ up there in the years, she’ll also love his depiction of the elderly.) You’ll have a great time staring at Currin’s painstakingly-realized pin-ups and feeling the awkward sensation of seeing your basest male fantasies writ embarrassingly large. (If you prefer your base male fantasies writ smaller, check out the much less respectable Art Frahm collection over at Lileks.)
The nice thing is that entire show comes pre-ironized for everyone’s protection. How can you take the images to heart when they’re presented as retro-jokes, replete with descriptions that evoke naughty jokes in old issues of Playboy? Take the card next to Girl on a Hill (1995): “[Currin] longs for the golden-hewed grassy hilltops of Northern California.” Now laugh together at the fact that everywhere you look are golden-hewed hills. Then you can laugh at the fact that a good portion of the pieces are held in private collections in Beverly Hills and in the WASP ghettos of Connecticut. (And if you’re extra lucky, maybe you’ll see a woman with crutches staring balefully at this image, like I did last month.)
This is fun! Mounds of it.
Of course, if your special lady is one of those uptight “feminists” who can’t take a joke, well, you’re in the wrong place, pal. You can expect to go home alone tonight, and—how can we put this delicately?—play air guitar to your Strokes CD. (The John Currin catalog only costs $50, but a copy of Juggs will run you, like, $7.) Happy Valentine’s Day.
Sidebar: Speak Mammaries. Tits are big right now. Huge! First came Currin. Then Mary Louise Parker and the other stacked starlets at the Golden Globes, followed closely by Janet Jackson‘s tempest in a C-cup at the Super Bowl. Then there’s the back-channel chatter among bloggers about one of our own that’s crossed the line from ignorable to Orange-alert levels. (Guys, do we need to discuss the difference between fetishizing mostly-underage celebrities who are hidden behind publicists, handlers, and bodyguards and fetishizing a real live person who might find your repeated, and entirely unfunny references to her ‘rack’ off-putting and even frightening? A little respect and we won’t have to resort to Antioch-like rules, okay?) Up next, A Dirty Shame, John Waters‘ next film starring Selma Blair as Caprice Stickles, a head-injury victim endowed with breasts the size of watermelons. It’s only February and it’s the best year Russ Meyer‘s had in a decade.

Categories
Grave

The Time of Their Time

Mother Jones a great timeline of George Bush and John Kerry’s experiences in the 60’s and 70’s that shows each man’s baby steps to the White House.
The cool, omniscient approach is like an outline for a John Dos Passos or Tom Wolfe novel about politics, class, changing social mores, and the military. Of course, since it’s MoJo, there’s some sly wit:

John Kerry George W. Bush
January 3, 1970: Kerry requests that he be discharged early from the Navy so that he can run for Congress in Massachusetts’ Third District. The request is granted, and Kerry begins his first political campaign. June 1970: Bush joins the Guard’s “Champagne Unit,” where he flies with sons of Texas’ elite.
February 1970: Kerry drops his bid for the Democratic nomination and supports Robert F. Drinan. Drinan, a staunch opponent of the war, wins the race and goes on to serve in Congress for ten years. November 3, 1970:George Bush Sr. loses Senate election to Lloyd Bentsen, whose son is also in the “Champagne Unit.”
June 1970: Kerry joins Vietnam Veterans Against the War, and becomes one of the group’s unofficial spokespeople. November 7, 1970: Bush is promoted to first lieutenant. Rejected by University of Texas School of Law.
April 23, 1971: Kerry helps to organize a huge anti-war protest outside Congress, earning a place on president Richard Nixon’s “enemies’ list.” He joins a group of Vietnam veterans who throw medals and campaign ribbons over a fence in front of the Capitol. January 1971:The Texas Air National Guard begins testing for drugs during physicals.

And so on. Definitely worth a look, if only to wonder how this story will end.
[via The Morning News]

Categories
Shallow

Hotter than a venti americano

kinsley_newsweek.jpgIf you thought Seattle was full of flannel-clad aging grunge rockers and the sexiest person there is Michael Kinsley dressed as Gorton’s fisherman (left), swing on by The Stranger‘s Web site for their annual Valentine’s Day Seattle’s Sex Bombs spread.
As expected in a city where coffee runs hot and cold out of the faucets, there’s Sexiest Baristas (four of ’em), but there’s also a Sexiest Republican who makes Ann Coulter look (even more) like a she-beast. (Equal Time Regulations stipulate that The Stranger show a Sexy Deniac, too.) Then there are the Sexiest Movie Theater Employees, who look like the girls from t.A.T.u., only they weren’t cooked up in a post-Soviet lesbi-teen lab in Siberia. Sexiest Waiter? Someone out there wrote, “I’d like to lick Alfredo sauce off his ass-crack.” Like ’em smart? Check out Sexiest Physics Majors. Sexiest Retail Clerk? Babe check, aisle nine!
You get the idea. Go check ’em all out for yourself. Flights to Seattle can be booked through your travel agent or online.

Categories
Shallow

Bad Ideas are $3 Mil a Dozen

From The Onion A.V. Club interview with Joe Eszterhas by Nathan Rabin:

The Onion: In the book, you publish a letter you wrote concerning an unfilmed script, Male Pattern Baldness, which you say had the potential to ‘force America to pay attention.’ What did you mean by that, and what is Male Pattern Baldness about?
Joe Eszterhas: Male Pattern Baldness was about a guy who lives in the Midwest and works in a steel plant, who finds himself in a battle with all the precepts of political correctness. He’s just an ordinary guy who goes up against all the sort of politically inspired and enforced social rules that we’ve looked at in the past 20 years. Everything goes to hell for him. He loses his wife as a result. He loses his son, and he has to take anger-management classes. Ultimately, he can’t take it. The tone of the piece until now is comedic, it’s dark, and it has a really striking comedic tone, to the point where Betty Thomas, who directs comedies, after reading it decided that she was going to make it. Suddenly, near the end of this piece, the comedic tone startlingly ends and he goes on a rampage and kills four or five of his workers and kills himself. The movie ends with an epilogue of irony. Betty’s take and the studio’s take when I sold the script was that it was very hard-hitting, and was certainly going to be very controversial. It proved to be so controversial, finally, in the studio’s view, and also Betty’s—she felt that it was an assault on political correctness—that they opted not to do the picture, and it’s still up on the shelf. I do think that it would have startled some people, and I think it would have made us take a hard look at the effects of political correctness.

Categories
Satirical Shallow

The low culture interview: Stanley Bostitch Model B440 stapler

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Stanley Bostitch Model B440 Stapler, stapler

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Shallow

Oh, so it’ll be unfunny, unread, and contain at least one reference to The Beastie Boys

heeb4.jpg From today’s Page Six:
Heeb, the hip [sic.] quarterly dubbed ‘The New Jew Review,’ had used [publicist Susan] Blond to promote its launch in 2002. The magazine’s new cover announces ‘Back Off Braveheart’ to tout a photo feature inside called ‘Crimes of Passion.’ Editor-in-chief Josh Neuman wasn’t very forthcoming in describing the offensive photos: ‘It’s our interpretation of Jesus’ final hours. It’s what you’d expect from Heeb magazine.”

Categories
Shallow

Pseudo Imaginary Trend of the week: Fictional Characters Named after Fiction Writers

With tomorrow’s release of Fifty First Dates, the Pseudo Imaginary Trend of fictional characters named after fiction writers finally comes into its own.
Since we here at low culture consider ourselves pseudo imaginary experts on the Pseudo Imaginary Trends (up your nose with a rubber hose, Entertainment Weekly—or Entertainment Weakly as we like to call it when we’re feeling nasty!), we took it upon ourselves to point out the obligatory three recent(-ish) instances that form any Pseudo Imaginary Trend. Even one this pseudo and imaginary.
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Fifty First DatesHenry Roth and Henry Roth
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Torque‘s Henry James and Henry James
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Sex and the City‘s Richard Wright and Richard Wright
Start with a ponderous “academic”-sounding quote from Harold Bloom and close with a tepid kicker (“What’s next, Ashton Kutcher as ‘John Updike’?”) and send me my check, Rick.
It’s tenuously hilarious! Except that it’s not.

Categories
Shallow

Bloggers: It’s not funny

Disney Deaths.
Please refrain.

Categories
Shallow

The Post‘s Widening Editorial Reach

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This month’s NYP: Tempo‘s Enrique Iglesias spread. Very spread.
Um, when something isn’t quite subliminal, what do you call it? Liminal? Really, really obvious? Gross?
Related: Fromunda.