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Shallow

Super Dave’s Latest Stunt

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Who’s that gravelly-voiced actor who plays the perpetually-in-a-funk Marty Funhouser on HBO‘s Curb Your Enthusiasm? Why, it’s none other than Bob Einstein, aka, “Super” Dave Osborne, the world’s greatest daredevil stuntman!
I distinctly remember his show from when I was a kid. At the time, I think I actually believed he was a real stuntman who just messed up a lot. You can buy a Super Dave video here.
Einstein’s also the brother of Albert Brooks. Yes, the poor guy was born Albert Einstein. Parents and their high expectations: Sheesh!

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Shallow Soundproof

Checkout “Dropout”, Pre-Sellout

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When not busy geeking out to Pitchfork‘s coverage of all things indietronic, we’re likely debating whether it was Hood or the Notwist who first inspired Radiohead’s post-rock reinvention in 1999. Or maybe it’s something along the lines of whether or not Basic Channel‘s music deserves a genre classification of its own, or the merits of declaring Philip Jeck as the ultimate electro-acoustic composer, or pronouncing L.A.’s Stones Throw to be the most underrated hip-hop label in operation today.
In other words, it’s unlikely that we’d ever get behind a major-label record of any stripe. But here’s some major-label-styled hype for you: it’s only the second week of February, and already the leading contender for 2004’s album of the year has been released. Available today on the racks of all sorts of record stores across the country, in outlets as diverse as Kim’s and Amoeba to FYE and Sam Goody (and likely to sell just as well in each type of these aforementioned shops), Kanye West’s College Dropout has been released on Jay-Z’s Roc-A-Fella imprint, home to such musical all-stars as Beanie Sigel, Memphis Bleek, and, ummm, Samantha Ronson.
This would be considered “staying in the family”, since the 26-year-old West is heretofore best known as the producer of some of Jay-Z’s biggest hits off of 2001’s The Blueprint. Relatively invisible up to this point, he’s also spent the past two years becoming one of pop music’s most likely hit-makers, engineering the hooks and beats for a remix of Britney Spears’ collaboration with Madonna, Ludacris‘ “Stand Up” and Alicia Keys‘ “You Don’t Know My Name”, as well as the definitive summer anthem for 2003, Talib Kweli‘s “Get By”, which I most recently heard played out at a New Year’s Eve party thrown by members of Silverlake’s indie-guitar-and-electronics scenesters.
That means crossover appeal.

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Shallow

Neil Strauss: Renaissance Man

AuthorComedianLadies ManAdult movie actor*
What’s next? I’m betting co-songwriter with The Matrix
* Not online despite aggressive Googling: Back-up ‘funky robot’ dancer for Beck (SPIN, circa 1996)… Jewel bedside interlocutor (Rolling Stone, circa 1998)…

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Grave

Political Child’s Pay

richie.jpg“It did not take Kaelynn Adams-Haack long to decide she wanted to support the re-election campaign of Representative Tammy Baldwin, Democrat of Wisconsin. The two met at a dinner party, talked for part of the evening and by the time Kaelynn left she had decided that she wanted to give the congresswoman a $1,000 contribution.
[…]
“‘I knew not to give her too much and not to give her too little, so I gave her $1,000,’ said Kaelynn, who is now 8 and says she hopes to make more donations in the future.'”
Too Young to Vote, Old Enough to Donate, by Glen Justice, The New York Times, Feb. 10, 2004
Adorable!

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Shallow

Oh, you’re such a martyr, Jim

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“It was uncomfortable up there on the cross. Very windy. I almost blew over.” — Jim Caviezel quoted by Cindy Adams, The New York Post, Feb. 10, 2004

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Shallow

We’re also sick—sick!—of powerful women in Hollywood doing favors for their 19 years older, Oscar-winning boy toys

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Sherry and Bob: The casting couch strikes again.
A Director, Married to the Studio
by Sharon Waxman, The New York Times, Feb. 9, 2004:

When Variety published the news last week that the veteran director William Friedkin was attached to a new movie at Paramount Pictures, eyebrows went up in Hollywood. Not just because it is rare in the age-obsessed movie industry for a 69-year-old director to score a major studio assignment, but also because Mr. Friedkin would be making yet another movie at the studio where his wife, Sherry Lansing, is the chairwoman.
Since 1994 Mr. Friedkin, a celebrated director in the 1970’s, has made four feature films, all at Paramount, three of them box office flops, one a financial disappointment.
So the choice of Mr. Friedkin to direct a big-budget movie about the Hollywood lawyer Sidney Korshak is sparking new talk of nepotism at a moment when the studio is in poor financial health.

The more salient question: Why would Sherry Lansing hand her husband such bad scripts like the ones for The Hunted, Rules of Engagement, Jade, and Blue Chips?

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Grave

Wait, where were you, Mr. President?

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President Bush in the Oval Office
From the transcript of Tim Russert’s interview with President Bush on Meet the Press, Feb. 8, 2004:
“…I’m a war president. I make decisions here in the Oval Office in foreign policy matters with war on my mind… ”
“…It’s important for people to understand the context in which I made a decision here in the Oval Office…”
“…They’re not going to develop that because right here in the Oval Office I sat down with Mr. Pachachi and Chalabi and al Hakim, people from different parts of the country that have made the firm commitment, that they want a constitution eventually written that recognizes minority rights and freedom of religion…”
“…I have shown the American people I can sit here in the Oval Office when times are tough and be steady and make good decisions, and I look forward to articulating what I want to do the next four years if I’m fortunate enough to be their president…”

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Grave

W.M.D. (Weapons of Maureen Dowd)

dowd_new.184.jpgIt’s easy to criticize Maureen Dowd. She gets a lot of guff from the Right for being too liberal, and jabs from the Left for being too nasty. Pundits of all political stripes pretty much think she’s superficial and too in love with her own references and puns.
Yes, her record is spotty (a Pulitzer one year, a series of columns about Barneys the next). Every time she gets up to bat, she’s under a cloud: will she hit a homerun, or will mighty Maureen strike out? That’s why when she knocks it out of the park, you gotta stand up and cheer.
This Sunday’s column, Murder Most Fowl (Feb. 8, 2004) is a great achievement, both rhetorically, and stylistically. Dowd frequently errs too far on the side of style over substance, but writing about Donald Rumsfeld and Dick Cheney this week, she marries (or at least civilly unionizes) the two impulses beautifully:

Now, with the White House looking untrustworthy and desperate; with the national security team flapping around and pointing fingers at each other and, of course, Bill Clinton; with even the placid Laura getting testy; and with Newsweek reporting that the Justice Department is reviewing whether Halliburton was involved in paying $180 million in kickbacks to get contracts in Nigeria at a time when Dick Cheney was chairman, anybody else would be sweating.
Not deadeye Dick. His heavy lids didn’t blink when it turned out he’d blown up a half-century of American foreign policy alliances on a high-level hallucination.
Here he was, fresh from presenting a crystal dove to an obviously perplexed pope, stolidly waiting for the club’s pheasant wranglers to shoo the doomed birds into his line of fire. He had killed only 70 or so the last time out. But this time he was convinced that the bird population could sustain more casualties. Quack and Awe.
“This is our due,” Dick said. He fired a shot: BLAM!

That “BLAM!” (and “This is our due”) is repeated throughout the column, like some angry/resentful incantation by an administration under siege. This is our world, our time, our choices, they seem to be saying. We want the world and we want it NOW!, as Jim Morrison, the deepest poet I read in eighth grade used to say. Dowd may be imagining the thoughts in Cheney’s head while he hunts (domesticated) pheasants, but what emerges are the increasingly desperate—sad, even—rationalizations of a sitting duck who has no idea which way to run.
Dowd’s no birdbrain: she knows Cheney’s goose is cooked, and she’s not afraid to crow about it.

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Grave

Holden Caulfield, older and still bitter

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“Oh, [John Kerry] sometimes pretends that he doesn’t care about our special interests. He puts on that callous populist facade. But deep down he cares. Maybe he cares too much. When he’s out on the stump saying otherwise, he’s just being a big old phony.”
David Brooks, Kerry’s Special Friends, The New York Times, Feb. 7, 2004

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Shallow

Well, you can always rely on Amazon

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N.B.: Not to be mistaken with Philip Roth’s Letting Go, which cannot ship before Valentine’s Day.