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sampling bits: television, culture & channel-surfing:
1998. senior thesis. an experiential examination of interfaces, computers, and most importantly modern life and television. selections of this text portion are set to be published in some academic journal. the culmination of a harvard education blah blah.
polysemic: hotels & baggage & chatter:
1997. check out the official website of the Resfest digital film festival, noting the blurb about my abovementioned film, which has aired in London, New York, San Francisco and Los Angeles.
underworld:
1996. a continuously-evolving structure in a state of stasis, if that makes sense. now the official web presence of underworld, if that matters to you.
advertising:
1998. a dirge about quicktime slates and baby food.
transmission v4:
1997. the predecessor of this current site. really, definitely related, however.
transmission v3:
1996. the predecessor of the above site, v4. really, definitely related, however. again.
web gimmicks:
1998. small file size, something akin to 'sass'.
these days:
1998. 240k, a moving snapshot, nothing much to say beyond that.
flesh:
1998. a cursory mask thing. heavy browser load.
joyluck:
1998. amy tan is the novelist. houdini is the magic chap.
original:
1998. what the hell is this? some sort of collage?
uk justice:
1998. a logotype joke for that infamous criminal justice bill. no repetitive beats etc.
marilyn monroe:
1998. another interactive experiment. a bit cumbersome sometimes, but give it a shot.
mad knitter:
1997. soft hearts may find the text which (eventually) appears onscreen a bit offensive. consider using one of those surfwatch affairs if it really grates on you eh?
delinquent:
1997. an extensive little 'library' of a sort of magnetic poetry kit. freeform loops and new paths.
finite:
1997. a little something that was irreverently prepared to say the least. requires a) extensive web-gimmick understanding and b) a sense of humor.
resume/cv:
1997. newest inclusion, fairly updated but far from wholly. content going back to anno domini 1976. the least descriptive of biographies.
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